At the height of the 2026 season, just as Pueblo Garzón reaffirms its standing as an art enclave, this gallery opened its doors under the direction of Adriana Napoleone, an artist and architect from Tigre who chose a typical village house for her debut as a gallerist. The space is organised into three sections and the hanging reveals her architect's eye: rectangular windows open onto the greenery and frame nature as if it were another work. If you are touring the village's art circuit, add it to your map.

Her opening show, Estructuras del silencio, brings together Antonia Guzmán, who works in geometric abstraction, and Adolfo Llorente, who works in photography: two languages set in dialogue through rhythms, chromatic tensions and formal silences, in a bond that is more sensory than thematic. The extra lies in the welcome: Napoleone herself receives you, talks you through the works and accompanies you without intruding, something you won't find so easily in larger spaces.